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Posted

Even refurb products come with warranty papers, etc. for the short warranty.  I would assume anything new would come with warranty and some minimal advertising blurb or something.

Posted

I think if I got the custom case for this setup it might be about pocketable though the little S100 will probably remain as my preferred little camera.

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Posted

A few shots from February, from a couple different club nights I worked.  Most shots are unedited other than possibly a slight crop.

 

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30D & 50mm F/1.8 @ F/2, 1/60, ISO320

 

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30D & 50mm F/1.8 @ F/2, 1/60, ISO400.

 

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S95 @ 6mm F/2, 1/40, ISO500.

 

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30D & 50mm F/1.8 @ F/2, 1/50, ISO250.

 

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S95 @ 6mm F/2, 1/25, ISO500, -1/3EV

 

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30D & 50mm F/2.8 @ F/2, 1/15, ISO320.

 

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30D & 50mm F/2.8 @ F/2, 1/15, ISO320.

 

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30D & 50mm F/2 @ F/2, 1/25, ISO400.

 

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30D & 50mm F/2.8 @ F/2, 1/15, ISO320.

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30D & 50mm F/2.8 @ F/2, 1/15, ISO320.

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30D & 50mm F/2.8 @ F/2, 1/13, ISO400 & 580EX.

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30D & 50mm F/2.8 @ F/2, 1/13, ISO400 & 580EX. 

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30D & 50mm F/2 @ F/2, 1/30, ISO320.

 

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S95 @ 6mm F/2, 1/20, ISO400

Posted

I ended up picking up a UD35 and I can definitely see this bag weighing a ton if it's fully crammed with gear. It's deceptively small looking for what it can hold!

  • Like 1
Posted (edited)

22mm kit arrived yesterday. First tests (with Intelligent Auto, JPEG). Cropped in PS, but otherwise straight from camera. Focus still slow (updated firmware, spot, continuous disabled), but early impressions are IQ is decent. So far very happy. f43s.jpgj58t.jpgpo6j.jpg

Edited by blessingx
Posted

Wow, I didn't realize the EF-M 22 mm had such short minimum focus distance with 1:2 magnification, on par with such "pseudo Macro" lenses like Zeiss 50 mm f/2 "Makro."  Here's hoping B&H ships my backordered EOS-M with 22 mm as soon as possible.  I would love to feed the RAW's through Nik Silver efex and Color efex.

Posted

The rest of the spring.

 

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30D & 50mm F/1.8 @ F/1.8, 1/50, ISO640.

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30D & 50mm F/1.8 @ F/1.8, 1/50, ISO800.

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30D & 50mm F/1.8 @ F/2, 1/40, ISO640.

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30D & 50mm F/1.8 @ F/5.6, 1/13, ISO100.

The odd camera settings were to capture as much of the light's animation pattern as possible.

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S95 @ 6mm, F/2.0, 1/40, ISO400

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30D & 50mm F/1.8 @ F/1.8, 1/13, ISO320.

Slow shutter speed to catch the nightclub's pair of 1000W strobes.

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S95 @ 6mm, F/2.0, 1/10, ISO500

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S95 @ 6mm, F/2.0, 1/50, ISO800

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S95 @ 6mm, F/2.0, 1/30, ISO800

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S95 @ 6mm, F/2.0, 1/50, ISO80

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30D & 50mm F/1.8 @ F/2, 1/50, ISO400.

Approaching absurdist levels of minimalism.

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That's a 3 WATT laser.  30D @ 50mm F/1.8 @ F/2.0, 1/50th, ISO320.

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30D & 50mm F/1.8 @ F/2, 1/20, ISO800.

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Not the greatest shot in the world, but it let my use my favorite Taken While Driving tag. Photo by Bang Ding Ow.

Posted

This view presented itself as I walked out of my evening class tonight. I luckily grabbed a couple of quick shots because it was gone by the time I went to the balcony on the 4th floor. Nothing technically or compositionally amazing about it. Just thought it was a beautiful sky. 

 

The original - 

 

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A couple of edits - 

 

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Posted (edited)

New Magic Lantern Improvement Adds 3 Stops of Dynamic Range to 5DIII and 7D

 

Some interesting stuff for a couple of cameras that have "Dual ISO" processors, I believe. I have a buddy who is geeking out about it and thinking about putting ML on his 5D3. You shoot half the lines in ISO100, half in ISO1600 (at the same time), and it makes a composite which can be nice.

Each of these cams can do it with stills, but the 5D3 can do it with video as well. Lots of links to technical stuff in the link above.

**BRENT**

Edited by MexicanDragon

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