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Posted

Those are the old Living Stereo transfers done in the 90s. Sound Mirror remastered all of them for DSD and redbook when they were released as hybrids in the 2000s. Those are now OOP.

Posted
Those are the old Living Stereo transfers done in the 90s. Sound Mirror remastered all of them for DSD and redbook when they were released as hybrids in the 2000s. Those are now OOP.

I just read the same thing. So, is being OOP in this case a good thing or a bad thing? Meaning, how good are the original transfers? I think at the price I'll chance it.

Posted
Damn, those are some sexy speakers Al posted. If I ever win Powerball (that I don't play), I'm getting a pair.

The ones I saw in person were in solid walnut and WAY more sexy and stunning than the pics or that dyed ash version on their website.

Posted (edited)
I just read the same thing. So, is being OOP in this case a good thing or a bad thing? Meaning, how good are the original transfers? I think at the price I'll chance it.

I mean the hybrid SACDs are OOP, but a bunch of them are still in stock at amazon for less than $10 each. I don't know if it's a good thing or a bad thing, I completed my set a while ago. If there is a particular performance you want get it now before they are gone for good. I have never heard the redbook only CDs, though a lot of people on another classical board think the new redbook hybrid SACD mastering is better. The hybrid SACDs did use the original first generation tapes, I don't know which tapes the redbook only CDs used.

Edited by deepak
Posted

Deepak, I'm curious, on which forum do you get your info for classical recordings? I'm interested to make my classical collection grow a bit now that CDs are getting super cheap.

Posted
I mean the hybrid SACDs are OOP, but a bunch of them are still in stock at amazon for less than $10 each. I don't know if it's a good thing or a bad thing, I completed my set a while ago. If there is a particular performance you want get it now before they are gone for good. I have never heard the redbook only CDs, though a lot of people on another classical board think the new redbook hybrid SACD mastering is better. The hybrid SACDs did use the original first generation tapes, I don't know which tapes the redbook only CDs used.

I'd agree. I bought one or two of the original redbook only CDs, thought 'meh', and stopped. When the SACD hybrids came out, I wasn't so excited, but a Music Direct guy talked me into one. I loved it and ended up buying a bunch more. I never compared the CD layer of the SACD hybrid to the CD-only redbook CD, though. Got

lazy over the years, I guess, or just not enough time.

Posted

Bought some Scarecrow Vineyards 2nd label Cabernet and evidently some Sauvignon Blanc and some Pinot from Ojai Vineyards and some more Sauvignon Blanc from peter Michael Vineyards. All yummy stuff.

Posted
i don't buy classical discs based on recording quality, particularly.

It's sometimes, but not always, a factor for me. The musicians I've known never cared about recording quality, just the performance.

Posted

Sometimes you just get lucky. In a week of some unlucky events and some lucky ones, I stumbled upon a visit by Parker Beam to a downtown liquor store. He is here for WhiskeyFest, which I have to miss because of the Giants vs. Braves playoff game, and he had a couple bottles of their new wheated cask strength bourbon from the Parker's Heritage series. I happened in at lunch and then ran back over there 90 minutes later to meet the man and hopefully snag a bottle. Oddly enough, there was basically nobody there and so I chatted with the master distiller and he signed a bottle for me. I even got a 10% discount for the event! Here is a quick pic of Parker's work and my lucky autographed score:

web.jpg?ver=12865790660001

Posted
Stax LNS, there isn't enough HV mylar in my life.

From me. Some Luxman gear is calling me (maybe, possibly more cool than a P-1u and has tubes, I shall report back once I'm sure) and I'm due to build an O2 rig and rebuild Agent Orange.

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