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Posted (edited)

I posted a Chinese version of this article several months ago and now I translated it and put it here. I guess some people here will be interested. I hope you like it. Actually I have some more articles like this pending but I just don't have the time to write it up.

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It all started about a year ago that a second hand sr-omega popped up in the local community.  From time to time omegas show up on markets around the world but this one is different: an omega with 007 drivers installed. When the drivers are replaced, such omega drops its value to a fraction of its original. The seller listed it for 48888 RMB initially and sold it for like 20000 + at the end.

 When I first saw the listing, the first thing that caught my attention are neither the price nor the 007 drivers but one accessory laying aside, which is a pair of dead drivers I have never seen before. At first sight I know that it’s a prototype, a true unicorn that probably only one pair exists in the world. I am so curious on how it sounds and how it compares to 007 or 009 or the original omega.  I messaged the seller right away and after some persuasion and explanation that I can give this driver a next life, I got it at a reasonable price.  And it has become one of my biggest regret that I didn’t also purchase the omega itself that time, otherwise I can put it back into the place where the drivers belong to.
 

Here is the driver itself.  From this driver you can see several innovations made by Stax that has never been seen in other Stax models before it.  The diaphragm is identical to a normal omega but the electrode is totally a different creature: copper plate similar to lambda sig etc. but much more refined.  Over different regions of the electrode the thickness is different. The thicker copper comprises of the # pattern skeleton to give the rigidity while the thinner copper is perforated.  You can see the same topology on 009 and 009s where they claim to have the MLER welding technology employed on the electrode. But this omega prototype electrode is in one piece and just as thick as a credit card. Furthermore, they rounded the edge of the perforation like what Stax does on 009S. Stax even make a sectional view illustration graph on their 009S promotion leaflet. Such treatment helps sound to radiate. To me it’s really impressive to see some characteristics of a flagship model today on a 30-year-old design. 

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But Afterall it’s a prototype. It does have some problems: this electrode is too thin to give enough rigidity and prevent bending.  They are curved to 5 o  at most. Moreover, the area of attachment between the frame and the electrode is too small. It just peels due to aging. I see such defects in some modern designs too. Although its reasonable to have these issues because its 20+ years old, it does reveal that the one who designed it is not thoughtful enough. Perhaps that’s why it was never released to the market except the one on my desk.

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Besides the defects the design has, the driver itself is at a very bad condition. The drivers have been exposed to the external environment, so dust gets onto everywhere. The one who does not properly seal the package probably has never imagined that this driver will be repaired.  It’s a pain in the ass to make the driver dust free again, especially when they are on the very fragile diaphragm. Normally I don’t accept requests to repair an exposed driver and I will give a new quote to clients who send me an exposed e-stat without telling me in advance .  But I own this driver and I can bear the risk so that’s OK.

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The four electrodes are bent in different direction and magnitude as well as having detachment and failure of epoxy. Taking it apart and bent it manually is the only way out. It takes a lot of skill to bend a bent copper plate. Like you have to apply a certain amount of force on the copper and then you check how you have bent it by eye balling or a ruler, and you repeat this process a dozen times on one plate. You make it worse if you don’t know how. The most challenging part of it is that how much you bend an electrode actually affects the sound pressure on one side of the driver so at this point you just have to guess. I have neither the tool nor the file of the design, its all hiding in somewhere inside Stax’s archive library. At most of the time repairing a e-stat is more challenging and troublesome than making a new one. Aging will just make everything a mess and sometime you have to wipe the ass of someone who does not make the design good enough to withstand usage.

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Solvent removes dust and grease on the driver.

 

 


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It gets much trickier when it comes to cleaning the diaphragm. Effectiveness of a method to clean the diaphragm is an issue when there is just too much dust, not to mention the risk that you will break a diaphragm by puncture or sketch. At the end I decided to clean the diaphragm with solution. Although it will damage the coating, it means nothing to me as I can recoat it anyway to replace the old one which is probably damaged anyway.
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Cleaning done.

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They took away the dust screens so I have to prepare these as well.

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Last Step: assembly, the most important part of all steps. This several hours of work determines how long a driver can last before imbalance or noise occurs.  Its my duty to make sure every edge and surface inside the driver is dust free. If not, dust will eventually get onto the diaphragm at some point in its service life and short the electrode and the diaphragm. Practically if the pollutant is much smaller than DS gap 0.5mm then its fine. All these procedures are done in a dust free environment.


 

Soldering work

 

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Omega adopted a spring mechanism to connect the bias supply to the diaphragm. It is shaped like a tuning fork and it is odd (photo credits to audiohobby .pl ). I tried to make one but it just can’t grip firmly. After some days of having this troubling me I figured out a way, using HD600’s spring and I glad that it worked, at least for now.

 

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I used 007 cable, lambda sig headband, cnc machined and anodized aluminum casing and tailor made earpad. I am a proud Omega owner and I shipped the earpad for a clone. The result is satisfactory. I took away the back grill for inspection but I am kind of regret because I cannot put it back.

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The general sound signature of this omega prototype is somewhat identical to the original: natural, airy, transparent and clean. Its free of unnaturalness which can be found on 009 (please forgive me if you find this statement irritating, afterall the perception of sound is subjective). It has a larger soundstage than 009 for sure but I think 009 has more details than this one slightly. To me this prototype takes a midway approach between early-SN omega and Late-SN omega. It has a bit of the sweet coloration of an early omega while having much of the naturalness of a late omega. I found that early omega has a huge, diffused soundstage while a late omega has some in head effect which is unpleasant to me. Luckily this prototype is more on the early side. But still this prototype is different from the two regrading the proportion of width and depth of soundstage.  I can’t explain more because I haven’t AB compare yet.



What amaze me the most is how the prototype omega differs from the typical omega in the dynamic and bass region. The normal omega gives me an image of mellow, soft and relaxing in the bass region. Although 009 and 007 has better bass and impact I like the stress-free presentation of the original omega. The only thing omega put stress on me while I am wearing it is its price. In the prototype omega, I feel an enhancement on the impact, the speed and the amount of bass. Perhaps it’s the reason why they create this prototype, to improve on what the original is lacking. The density of imaging of sound also improves by a bit.  Be caution that I cannot remove the effect of the different earpad and casing on the overall sound comparing to the original so the effect I mentioned above might be due to them.

 

Despite all these merits, there is something lacking in this prototype: The openness of soundstage and the super-revealing details on the original omega. If omega scores 100 and 009 scores 85 in the aspect, I will give a 95 to this prototype. The transition from mesh electrode to plate electrode seems to be a double-sided sword. I remember in one of the Stax staff interviews they explained on Pros and Cons between mesh and plate electrodes. You give up something to exchange for another. Nothing is perfect unless you pay a double.

 

 
 

 

Edited by bwck2000
  • Like 19
  • Thanks 4
  • 1 month later...
  • 1 year later...
Posted

That thing is bizarre.  🙂  Rather odd too as Stax were so paranoid of using metal housing for these things, hence the ground reference in each cup using resistors off the audio line. 

Posted (edited)
On 2/15/2022 at 7:38 PM, padam said:

Found another unicorn in this X9000-related article (subscribers only)
SR-Omega prototype made out of gold plated solid brass. It's heavy.

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I recall seeing this photo on discord community and I just went looking for where this photo originates and found some description about it. I just quote it here:

"bought a record off a guy at a show and we struck up a discussion - turns out he knew the son of stax's CEO and was given this gift decades ago"

"a prototype Omega, cups made entirely out of brass"

Only after all these years this gem is brought on the internet. Interesting

I don't think it is gold plated tho. 

Edited by bwck2000
  • Thanks 1
Posted

wow~ brass housing...
I just simulated it on solidwork, the weight of each is over 300 grams, it is a disaster to wear this stuff on the head 😶 

  • Haha 1
  • 10 months later...
Posted

I have the electret headphone Trio KH-800 produced by KENWOOD in 1975. Your writing has been an important inspiration for me in restoring this. Thank you very much!
May I ask you a question? My Trio KH-800 has the same dust screen, but It has been damaged and needs to be reinstalled. I'd like you to tell me the name of the film.

Have a nice day!!!

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