primitiveworker

It's obvious that I will be unable to convince anyone that I am not the developer of Canz3D or that I am otherwise not getting a cut of his $10 license. You win, despite being incorrect. I don't blame you for your position in general, though you are mistaken in this particular case. There's really nothing more to say. Pretty ridiculous situation, tbh.

Primarily using this as a DAC + headphone amp is disappointing? How about relative to the E-MU 0404 USB functioning in the same capacity?

I'm new to head-fi as well. I found both forums while I was researching Ultrasone. I found something that made my listening experience better and decided to share it with head-fi and head-case. I haven't posted this over at gearslutz (I'm merely a lurker there as well) because all of the professional mix engineers and mastering engineers would laugh at me for trying to mix with headphones. But it seems like the headphone crowd likes crossfeed. In my search for a way to fix need to mix in headphones with the impossibility of mixing in headphones I researched crossfeed processors. I found a nice software crossfeed plugin, made it work without spending any additional money (beyond the plugin's $10 registration fee), and decided to share exactly how to do it. If I didn't explain it all up front, I'd have to explain how to use it later on in the thread, so it's all there. I write technical documentation as part of my day job, so I'm sorry if it looks like something it isn't. Anyway, my bad. Next time I'll use improper punctuation, lots of smilies, and make fun of Bose. I expected to be attacked for my open declaration of being an Ultrasone Pro 750 owner, rather than the presentation of my post, but whatever.

I am not in any way connected to the developer, merely a fan of the software.

Canz3D Homepage I recently obtained my first significant set of headphones, Ultrasone Pro 750s. I selected these specifically for music production, mixing and pre-mastering in a hobbyist/enthusiast capacity. Due to my present living situation, closed headphones are my only option. Mixing and mastering in headphones has long been considered impossible. But I thought that I did my homework, and that the 750s would overcome the historical limitations. Instead, I've proven to myself that producing and mixing a song entirely within these 750s results and a track which does not translate to speakers at all. I was sad. I thought I was going to have to spend more money on "better" headphones, and get a "better" DAC, etc. But then I did some more research and stumbled upon this article from Sound on Sound, Mixing On Headphones.