Grahame

Shelly, in light of your recent purchase. Rock on!* Yes I know its not a PRS, looks more like an Ibanez JEM

^ You've omitted viewing distance. ~300 dpi at 10-12 inches according to His Jobsness. I'll leave it to the math nerds to work that out in terms of angular resolution ( the angle subtended by one pixel at the eye ) . But good enough if you assume you view your monitor screens from the same distance.

Only two things are infinite, the universe and human stupidity, and I'm not sure about the former. Albert Einstein (1879 - 1955) The two most common elements in the universe are Hydrogen and stupidity. Harlan Ellison (1934 - ) http://www.quotationspage.com/subjects/stupidity/

Oh Noes, where will I get my Rapper endorsed headphones now? Sleek Audio and G-Unit Brands, Inc, 50 Cent's Licensing Company, Cancel Plans to Develop Products Under the "Sleek by 50" Brand Palmetto, Fl. May 6th, 2011 – Sleek Audio today announced the termination of the Brand License Agreement between Sleek Audio LLC ("Sleek") and G-Unit Brands, Inc. ("G-Unit"), 50 Cent's licensing company. In addition, the Brand License Agreement, including video production, between TV Goods, Inc, Sleek and G-Unit has also been terminated. "We will be re-evaluating our Wireless Hybrid over-the-ear headphones at a later date. Currently we are working to bring our new, U.S.-made in-ear products to the market," said Mark Krywko, CEO of Sleek Audio. Sleek Audio is in production of the highly anticipated, U.S.-made SA6-R Wireless Hybrid earphone and award-winning SA7 earphone, which earned the Best of Innovations title in the headphone category at CES 2011. Sleek is also producing its acclaimed PRO Series comprised of hand-made, Wireless Hybrid custom earphones including the CT6 and all-new CT7. About Sleek Audio Sleek Audio is a personal audio company dedicated to creating "music in tune with you.™" Sleek Audio, creators of the first ever acoustically customizable earphones, is driven from decades of experience in the custom hearing aid and audio industry. Sleek Audio products are designed for high-performance use with all MP3 players including iPod® and Zune®. For more information, visit the company website at www.sleekaudio.com www.facebook.com/sleekaudio and the usual comment-fest http://www.engadget.com/2011/05/06/sleek-audio-terminates-agreement-with-50-cent-puts-over-the-ear/

If the Autobahn does call, don't forget to record it, so we can live vicariously. Something like this, perhaps.

Vmax on the Autobahn(en) perhaps? = ? or the 'ring maybe?

Blowback?

Mobile Me -> iCloud ? http://www.theregister.co.uk/2011/04/29/apple_using_icloud_internally_says_report/

Almost The inside scoop - from an American News source ... http://newsfeed.time.com/2011/04/29/forget-kates-dress-whats-behind-william-and-harrys-wedding-uniforms/

^ Lots of men in uniform as well something for everyone.

The Royal Wedding (live)

Happy Birthday Big Guy, Enjoy the treats!

Yesterday. Celebrated St. Georges's Day with a bunch of Brits by going for Beer and Curry! ((En-ger-land!) Surprisingly Decent Cheap'N'Cheerful Indian. Why is it that you can't seem to get Onion Bhajii's in The States, and the Papadum's leave something to be desired? (freshly cooked plain ones would be nice).

^ This. Transducers are probably the largest source of distortion in any replay chain. Yet we seem quite happy to ignore this and obsess about differences below the threshold of audibility upstream in the chain.

A subscriber to the The Lefsetz Letter forwarded this article to me Do you think he likes them? Sennheiser HD 595 Everything old is new again. So I’m in the bar at the Royal York in Toronto and I’m introduced to the Sennheiser rep. I do what any obnoxious denizen of the cultural landscape would do. I ask her about Beats. I tell her I’m a dedicated Sennheiser fan, they’re my headphones of choice, I have both studio and portable models, but everywhere I go I see that red cord. She said it all came down to marketing. That Sennheiser wasn’t going to spend those dollars. That they were in it for the long haul. Had I heard the HD 595? I needed to check ‘em out. If I wanted, she could send me a pair… That’s hard to turn down. They came yesterday, but I didn’t uncrack them. I was once involved with a woman who would be so eager to wear what she’d bought that she’d often parade around with the price tag streaming off, albeit unknowingly. I’m the opposite. If I get something important, I wait… But you can’t wait forever. And I had to let this woman know I’d received the headphones. So I just got the scissors, cut the tape and extracted the headphones and then plugged them into my Mac Pro, which has a jack right on the front. And after setting the System Preferences to get sound, I was jetted back to the seventies, the era of stereo. People reminisce about shopping in record stores, I miss going to the hi-fi emporium, checking out the new gear, listening to the Mobile Fidelity half-speed mastered records. I’d buy a product a year. A Sansui integrated amp. A top of the line Yamaha tuner. A Nakamichi tape deck. And when I hooked them up I’d spend the rest of the day, the whole weekend, spinning all my old records, to see how they sounded now. I decided to visit my iTunes playlist, the one containing my Top 200 most played tracks. Suddenly, James McMurtry was singing just to me. That banjo on that Keith Urban record was just to my right, the electric guitar exploded to my left, I was taken away. They say it’s not the same. That you can’t finger the album covers. That everybody multitasks. But this music was stopping me in my tracks, forcing me to spread my wings and fly. It was the same as it ever was. Everything sounded good. It was like my favorite tunes had been scrubbed of all the detritus and were now pristine. And I was afraid the spell would fail. I’d switch cuts and it just wouldn’t be the same. But track after track was a revelation. I dialed up Spirit’s "So Little Time To Fly" and I could have closed my eyes and been lying in the dark on the floor of my childhood home. Randy California may be dead, but in my ears, he was positively alive. And the history of rock and roll is ploughing through my brain. The fact that the famous riff from "Stairway To Heaven" is a direct lift of a Spirit cut. Then that live take of "You Oughta Know", from the Grammys. They never sell this stuff, you’ve got to steal it, but it’s so damn good. Slowed down, with an orchestra, you remember it, right? Back before Napster when the music landscape was still comprehensible and this twenty one year old came along during the summer of 1995 and blew us all away, took hold of the mainstream and owned it! Then I pulled up Little Big Town’s "Bones"…you know, the one that sounds like classic period Fleetwood Mac. It was like the four members were singing in my ears, literally. And I’m scanning my library, wanting to hear more than I have time for. Like John Grant’s "I Wanna Go To Marz". And Crosby & Nash’s "Carry Me". I was in such a terrible mood. Soldiering on in order to prevent collapsing in a heap. I’d just broken out the headphones to make sure they worked, so I could thank the sender, I had no idea my world was about to go from black and white to color. Sometimes you think the past is history. Frozen. Unreachable. Untouchable. But listening to these tracks on these headphones makes me feel like I can touch down in any of the last forty five years, my popular music consciousness. It’s a solitary experience. That unites you with the creator, the performer, that makes you feel included even though you’re alone. And it’s so good that you’re drawn to the gig, like a lemming, like a zombie in "Dawn Of The Dead", where you join the mass of people who feel exactly like you. It’s not about money, it’s not about fame, it’s about sound. A religious experience more powerful than any that takes place in a traditional house of worship. All because of a simple piece of gear. Opening up new vistas. I almost expect my college buddies to come walking through the door, my high school crush, my summer camp loves. You may look at me and see somebody old, but I feel the picture of youth, as alive as one can be.

Happy Half-Century, Sir!

And not give a shit!

Best wishes for you mother, Al. WDIDT? Renewed a subscription for 1/2 price. Phoned customer services, given full price How Much!, threatened to cancel / said not worth it to me @ full price - said magic words for their script that passed me onto customer retention. Said magic words again. Offered this "One Time Only Special deal - 1/2 price for 1 year" result. Left on line reminder to repeat process in just under a year. Can't recall last time I paid full price for this. Online fora for lots of services list the appropriate magic words, if you know where to look. Why pay more?

Good news, indeed.

What about doing it all digitally? Data to the speaker, 1 DAC per driver. Model the ideal crossover in software/ implement in a DSP prior to the DAC, feed the DAC output direct to an amp optimized for the particular driver. No phase issues, an you can even add delay to time align the drivers. What's that you say? Prior Art? http://www.meridian-audio.com/media/14218/dsp8000-ds2.pdf. It'll never catch on, where are the endless tweaks, and the swapping of components in the hunt for Synergy

Exactly, why not just re-terminate a stock cable? then you can re-sell the unmolested replacement cable, and if you screw up, you're only out ~$13, and can try again. http://shop.sennheiserusa.com/retail2002/ProductDetails.aspx?direct_cat=Parts&direct_prod=092885

Use the url in the bottom right of the image, perhaps? (hint: http://nekro.es) which will take you to the worryingly named http://thirteeninches.blogspot.com/

What happens to the crossover in all of this? (hint: http://www.harbeth.co.uk/usergroup/showthread.php?297-Biwire-terminals-and-sound-differences http://www.harbeth.co.uk/usergroup/showthread.php?1098-To-biwire-or-not-all-things-being-equal http://forums.audioholics.com/forums/showthread.php?t=29665)

oooopsie! http://www.theregister.co.uk/2011/04/14/supercar_prang/ http://www.bbc.co.uk/newsbeat/13078895

^ or use as a balance control.