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Everything posted by Pars
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Were yours (jp11801 and postjack) Dynahi's or balanced (dynamight)? Dammit, wasn't looking for a headphone project, but since I already have most of the stuff....
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I still have a few (of each)... Since I have the heatsinks from the GB, etc., I should probably get around to building one one of these days The only Dynahis I ever saw in person were KG's and Dan Gardner's Dynamight. Of the commercial pics, sft's probably looked the best, the Veda's looked OK, and trevornetwork's.... well, lets just leave it at that
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Dan Gardner still has boards available (as do some of us ). The input dual FETs (2SJ109 / 2SK389) are no longer available, but can be replaced with singles (2SJ74 / 2SK170), which have also been discontinued. IIRC, the only commercial builder that I might have trusted was sft, and I'm not sure if he is still building them. And as mentioned, more interest in the B22 these days.
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How to attenuate source so amp has more volume play??
Pars replied to JimP's topic in Headphone Amplification
The compensation cap is in parallel with R4, so if you tuned gain by varying R4, you could simply have appropriate comp caps in parallel with those = mind-numbingly complex. Of course, you are correct regarding the wiring, etc., particularly if more than one choice is desired. If you did it with relays on a small PCB you could keep it quite close to the area on the B22 board. Another possibility would be switchable series resistors on the input in front of the pot, with a short being one choice... -
How to attenuate source so amp has more volume play??
Pars replied to JimP's topic in Headphone Amplification
Since the attenuator (pot, stepped, whatever) is a voltage divider, it is the ratio of input to amp and amp to ground impedance that determines the volume. Therefore, it doesn't matter how big of pot you use in terms of volume; they are all the same. The different sizes will effect noise, etc. however. Tube stuff typically uses the larger values whereas SS stays at or below 50K (typ. 10K). For the B22, can you not play with the feedback resistors (looks like R4 / R3) to control gain? -
Sorry to hear about your grandfather. My deepest condolences.
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Hilarious review of Cambridge Audio Azur 840C
Pars replied to Jon L's topic in Home Source Components
So the Anagram DSP is adding interpolated sampling points to the Redbook data? I can see how this might smooth out the output, but is this viable to "distort" (in a good way perhaps) the actual recording? The reviewer did seem pretty clueless I would agree (DAC-less CDP... hehe) -
I couldn't even find the marketplace... then I read the FAQs. 50 posts for access. I have had a login there for some time, but have never posted.
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Postjack: You had mentioned in another thread regarding Genesis pressings that the Seconds Out pressing GECD2001 was your favorite? Any hint as to how to track this down? In searching, I found that this was released on Virgin in 1994... same year that the definitive remaster was released (which is what I have). These are definitely different pressings? Thanks, Chris
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I'm not really sure. Looking at the manual online (at twisted-pear), it says: '--------------- Output Characteristics: The output of the buffalo can be used as a voltage source or a current source. Best DNR and THD will be achieved using it as a current source. The differential output of the buffalo is 0.924*1.65V (3.1746 Peak) + 1.65 DC bias and the series output resistance is nominally 195 Ohms at each output. '--------------- Doesn't say whether you have to provision pins/dip switches/programming to select which mode you are using... and from the schematic, it doesn't have different output pins that I can see.
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I'm not Filburt, but in answer to your question, I believe they are the same. And I'm not sure who Gilbert is that he is referencing. Current steering basically work much as passive I/V does, with the exception of current mirror(s) actually providing the driving current for the I/V resistor, thereby not loading the DAC output and presenting a (hopefully) very low impedance to the DAC. At least that is my limited understanding of it.
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Good to hear!
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Seems to be a DB-15 connector? When looking around on Digikey, there also seemed to be a DB-15HD? Not sure what that is about... When you mention that the plugs you tried wouldn't seat fully, you mean the pins?
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Have you ever heard one of Pedja Rogic's NOS DACs? Strohmie's CD player / Dynamight had one of these in it. I'm building one, but have never heard one and conceptually I'm not sure I buy into the NOS hype. Wait-- why am I building one???
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Aww man... get back on it. I've still quit since January. But I do understand... there have been several times... :smoker:
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Nailed it!
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That sucks to hear Smeggy. The first band I played in starting when I was in junior high had a really good guitarist who wound up being allergic to guitar strings... he would develop a rash much like what you are describing. He could avoid it by wiping the strings down with rubbing alcohol (can't remember how often he needed to do that, once a set or maybe once a night was enough). Don't think you can wipe the wood down like that though... hopefully you can figure out if it is a particular wood.
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I've only printed one or two on plain paper, and they looked good. I'm not into photography like you and others here are, so my eye for such things is probably lacking...
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Nice! I bought an MP970 (IIRC) a couple of months ago and so far like it alot. Sure beats the Epsons we used to have <-
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How to attenuate source so amp has more volume play??
Pars replied to JimP's topic in Headphone Amplification
Justin FTW! These http://mysite.verizon.net/vze4c5pt/id2.html look nice, but you could do what you need to do with not even 4 resistors, but 2, one in series with each channel, for $0.40 apiece for nice resistors (PRP, Holco, etc.). Yes, you would want to probably solder these into the Almarro, right before the volume pot if you could. The pot will provide the resistance to ground required. -
HeadRoom Balanced Desktop--Stepped Attenuator?
Pars replied to The Monkey's topic in Headphone Amplification
Have 'em put an RK50 in it Then it meets Nate's criteria... both of them -
No breakers between individual grounds. As another poster said before, the grounds must be at the same potential; otherwise its like plugging things into outlets on different circuits which is usually a recipe for ground loops. There are circumstances where PSUs can pollute the ground (actually more like noise coming back right thru the PSU); particularly those of digital equipment. PSU design is really an art (a very scientific art) from what I can see and there don't seem to be that many people that are really good at it. And alot of people have the attitude that its just a power supply; all the same, right? Puts out voltage, so its all good All I know is that when I put a DMM (or a pair of them) on supplies like the Gilmore Dynamic or on a sigma22 and see nice tight tracking and really stable readings (like not changing 0.1mV) and can't see anything on it with my Tek 465b, I'm happy
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Not sure where to put this, but the quote (postjack) was from what are you listening to thread, but got buried (quickly)... Any idea where I could try to find this set at? I spent some time online looking with no luck...