Knuckledragger

Covid is no joke. My mother is in her 80s and frail. I'm 50 and ...sturdy. She went to the ER and got prescribed Paxlovid. It appears to help, but some of the side effects are a bit rough. I'm fully vaxed and in fact recently boosted. I'm no longer feverish, but far from well. I suspect this is a new strain that has yet to be named (remember the ominous sounding Omicron Variant?) Also the heating system is still not fixed, but after my mother went to the ER I opened the mechanical closet and yelled at it. Then I turned it off and on again and it's been making heat since. In the 40K universe I'd be a tech priest.

JC was our best ex-president. I worked for him 1994, building houses in Mississippi.

My mother just went off in an ambulance and and our heating system stopped working. This is the best of all possible worlds.

Tested positive for the 'rona. After 5 years, it finally got me. I still wear a mask just about everywhere in public and have been verbally accosted by a couple irate boomers for doing so. The main problem is that I have to pull it down to wear glasses (which fog like mad with a mask on) and I can't see shit up close without them. I've been isolating in my room like a hikikomori because I don't want to get my (sainted, octogenarian) mother sick. So far the symptoms haven't been terrible, like a strong sinus infection. I had have some genuine fever dreams earlier. I think the mower shed is haunted.

RIP Gordon Mah Ung, PCWorld editor and hardware journalist. He made occasional appearances on the GamersNexus YouTube channel. His spicy takes and ability to lambast industry incompetence and malfeasance was the stuff of legend. Pancreatic cancer is one of the absolute worst.

TL; DW: Obvious scam is obvious.

Speaking of expensive vinyl... There's a certain Gallic beatsmith named Pascal Arbez. Since the year 2000 he's recorded under the name Vitalic. Prior to that he did some original material and remixes as Dima. For an all too short period of time, he was the best producer on the planet. His Poney EP is the stuff of legend, but it's actually not my favorite work of his. He did two remixes, The Hacker - Fadin' Away and Bolz Bolz - Take A Walk that were the most fresh, amazing sounding things when they came out at the dawn the new millennium while still being hugely "retro" and electro. 25 years later, they sound at least as good. There are not many tracks I'd call "anthems" but both of these absolutely are. I own both on vinyl and you'll have to pry them from my cold dead hands. Unfortunately, Vitalic did not keep up the quality of his early works. His 2005 album "Ok Cowboy" was a decidedly mixed effort, but it does have his single greatest original work: Even people who don't remotely GAF about electronic music seem to like it. In late 2004, a well meaning soul put together a collection of Vitalic rarities and remixes ...in 192k mp3. I had it on my clickwheel iPod for years. On it are a cancelled remix of Basement Jaxx feat. Siouxsie Sioux(!), a Bjork remix, a Slam feat. Dot Allison (of One Dove fame) remix, a remix of Miss Kitten that's utterly monotonous until the euphoric melodic breakdown (a Vitalic trademark), a remix of Royksopp featuring Karin from The Knife (don't get me started) as well as some genuinely rare originals (PC 100 remains a white whale, 20 years later.) As the years wore on, I tracked down nearly every song on the bootleg collection confirmed lossless. Well, in 2020, ol' Pascal must have finally noticed this bootleg mp3s and saw fit to issue most of them as well as a bunch of others on five mighty slabs of vinyl. I missed it at the time. 2020 was a chaotic year, I vaguely recall. I just checked used sales and saw "4 copies from $781.25" yeouch.

Oh shit. Oh shit oh shit oh shit. 135L Oh shit. I mean the 2470LII is a far more useful everyday lens but the 135L is a special kind of magic.

M4 Mini finally arrived today. It only took AMZN a month to ship it. I've had a longstanding tradition of naming my Mac Minis (now 4 in number) after film directors. Previous machines were Kubrick, Fellini and Ulmer. The M4 is Kurosawa. I'd say I forgot how much of a PITA it is to set up a new machine, but that'd be a lie. I remember, and it always is one. Google is reasonably painless. Still haven't gotten my password manage up and running yet. Steam initially locked up and refused to play nice, but after a force quit and restart it acted fine. I have no real interest on gaming on this machine but I figured I'd give it a bash. Tomb Raider 2013 works just fine and looks quite good. It's not really my kind of game (I got it free with the GPU I bought in late '13 and played it for 38 minutes) but trying out again it seems ...fine. The M4 plays it at 1080p constantly above 120FPS. The real headaches will be slsk, Transmission (torrent client), inheriting my Backblaze backup state and ...actually setting up Kurosawa s a server to replace Fellini. I have to get my two Windows boxes to play nice with it as well. This process should take well into next year.

In the summer of 2007 I heard that there was a car show in the parking lot of a Walmart (ya rly) two towns over. Being as ADD as I am, I arrived entirely too late and got there just in time to see a bunch of cars leaving. I did hastily snap a bunch of photos with my 30D (not a particularly good camera) and its "better" kit lens, the 17-85mm (which sucked at the wide end.) I had the camera set for jpg+RAW and at the time I processed them as pseudo-HDR in Photomatix. I also invariably cropped the shots entirely too close (a bad habit that would take years to break.) I've revisited these shots a number of times in the last 17 years, most recently a few months ago. I now use Luminar 4, which makes use of its own pseduo-HDR math. Unlike Photomatix and every goddamn smart phone camera app ever, Luminar's faux HDR processing can be adjusted to remove most of the cartoonish qualities. Luminar also makes use of lookup tables, which are a lot of fun when used correctly. None of these shots are spectacular. I didn't know a thing about framing in 2007 (I still don't but I didn't then, either.) In almost every case I wish I'd back up a couple feet and gotten more of the background and people milling about. At this point the photos are a fascinating time capsule. 17 years is a long time. 2007 was after 9/11, but before the 2008 financial crash (two watershed moments that have steered us directly to where we are.) The 1990s were still a relatively recent memory. Most of the attendees are aging boomers and exactly none of them know what "social media" means. A global pandemic was the stuff of bad thriller films. The cars are timeless of course and made all the mores so by how, ahem, absolutely fucking hideous current vehicles look. The 30D's sensor (a permanent "unsharp mask" and the processing in Luminar gives everything a slightly dreamy quality. I quite like this photo set as both a moment in time captured but also a tone piece.

Everyone's favorite high-pitched, hyperactive, hypoglycemic, hyperborean tech dropper seems to quite like base M4 Mini:

Happy birthday 💀guise!

Anyone catch South Korean speedrunning martial law?

Nate, get a model that offers full manual control of aperture, shutter, ISO, exposure compensation and white balance (at least daylight/tungsten/flash). If you're looking for a Canon I'd investigate the premium S series (S95/S100/S110) over the G. The S has a faster lens (F/2) and while not as robustly built, it's not as ...brick-like as the G series. Lugging around a G gets annoying quickly. Like Blessingx, I have a 2002 vintage G2. Mine's IR-modified, because me. The S series have excellent LCD screens. I used a PowerShot G11 ...about 15 years ago and did not like the screen at all. The "other shoe" of this suggestion is that clean copies of PowerShot Ses cost more now than they did new. The new cameras that are are super popular are those goddamn Fuji X100 series models that every hateful "influencer" flogs are featured heavily on social media. The X100s are usually out of stock and always overpriced. I've seen the photo results and they're ...fine, but I'd rather read about a Kardashian plane crashian than use one ...what was I talking about again? Oh, yeah. Speaking of being an idiot with a camera, I got a combination that should not work to function a few days back. One of my muses is an Asahi Super-Takumar 35mm F/3.5 lens I got in a lot of old M42 primes I bought off eBay in 2007. It's a wacky design that goes back the late 50s, though my copy appears to be from the 70s. It's such a deeply flawed lens, it's hysterical. F/3.5 is a laughably small aperture for a 35mm prime. The back of the lens extends too far into the camera body so that it doesn't work with modern full frame models without using mirror lockup. It takes 49mm filters (I have an army of 52 and 58mms, and basically no 49s, because it's not 1977 and we don't wear rayon anymore.) The lens's aperture increments in full stops, because half stops are for suckers and third stops are unknown. It's not particularly sharp at any aperture setting and in fact is un-sharp in a very odd way. I think I mentioned a while ago I picked up a used 50D. It's a 2008 EF-S body and easily accommodates the Takumar. I used the combination quite a bit in early part of November: This time of year the sun spends most of its time on the horizon and produces very strong colors. I took this horizontal at the back edge of my property. It really illustrates what I like about the 35mm Takumar. The way it handles out-of-focus highlights is just odd. Also the way it handles details that are (theoretically) in-focus is just ...flawed. It never reaches proper sharpness even at small apertures. It has what a friend of mine described as a "horror movie" aesthetic. My grandfather placed some stones on the property line ~65 years ago. Photo taken with my 17-40mm, which is a workhorse of a lens since I got it in 2008. Since the the 35mm Takumar works without issue on my 50D, I did the logical thing and got it to work with my 5D IV. I spent considerable time learning to use mirror lockup and Live View (two things I avoid under normal circumstances.) I'm now sufficiently blind that I have to wear my reading glasses to see small details on the LCD screen. Focusing with live view is a shot in the dark. Metering is a lesson in chimping and re-shooting. 5K jpeg, feel free to pixel peep. How does the 35mm Takumar perform with the 5D IV's much better sensor? Fine, I guess. This shot was taken a very small aperture (F/16, IIRC.) This is about as sharp as my copy ever gets. Even though the DoF is pretty large, the farthest OOF highlights have that weird quality. The Takumar stands in stark contrast to my CZJ 135mm F/3.5 Sonnar, which is sharp at any aperture and paints OOF highlights a beautiful, ethereal way. The Sonnar hints at dreams and magic while the Takumar offers ominous uncertainty.

Gibson Hits Trump Guitars With Cease and Desist.

As I mentioned a while back, I've been getting more familiar with the combination of my D200 and 300mm F/4. Taken through my kitchen window, which often results in a hit to the contrast. In this case it wasn't so bad. The same two deer, two days in a row. Quack, quack. A very technically flawed photo, but a rare case where I caught the great blue heron with his wings open. They are giant birds.

Base model Mac Mini for $499 (click the coupon box) and possibly another 5% off with an AMZN Visa: https://amzn.to/3V6uZNd I just bought one, in spite of my objections to a 256GB system drive.

By the blue lagoon.

Not on the Icelandic news site:

Bose buys McIntosh, storied maker of high-end luxury audio equipment.

Wow. I learned that J. Saul Kane died. He was only 55. JSK was a fascinating character. In the early 90s, he played a huge role helping produce legendary rave tracks like EON's "Spice" JSK was best know for his solo work undfer the name Depth Charge where he combined elements of rave, breakbeat and house with kung fu samples. He was also a serious photographer, working mostly in his native London. JSK's other notable characteristic was his pure "no BS" policy. He neither gave nor took it. This made him an odd fit for the music industry, but he had so much raw talent he got ahead anyway. I was Facebook friends with him (ya rly) for like 15 years. He was one of the people whose activity where never not interesting, whether he was him excoriating some fevered ego like David Guetta, showing off his street photography, or some new piece of musical kit he had acquired. This only begins to cover how cool his studio was. Also JSK wasn't just a gear hoarder. He did amazing things with it. John understood sequencing, synthesis, mixing and mastering. John had the distinct aura of brilliance about him, which came through in everything her pursued. He's a man gone far too young, and completely irreplaceable. He will be missed. Rest in peace.

A guy on reddit got this stack for $1500. Not a bad price per pound.

"Working as intended." (I'm running the newest MacOS and iOS.)