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spritzer

High Rollers
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Everything posted by spritzer

  1. Gutsy sound...is that code for distortion and not driving the phones properly? Seriously though, pop the hood off it and post some detailed internal pics and I'll whip up a clone amp in a few hours. There are things about the "design" that I truly don't get, why would anybody use single triodes for the input when a dual triode will be better matched and due to being in the same envelope, drift the same. It's similar to using single fets but a far worse example... I used to build amps very similar to these back in the day and people loved them, they even had a volume knob but then again...only cost 1200$...
  2. True but nothing novel has ever come out of this. The Megatron was kinda born out of the RSA A-10 but not really, more that is sparked an idea on how to do SRPP properly or rather...not call it SRPP when it isn't...
  3. Yeah, that is always a concern based on the other Chinese Stax amps. I'm tempted to pick one up but I'm just tired of buying this stuff and then fixing all the fuckups...
  4. That's the older amp, not the same as this one. This one looks to be similar to the KGDT I did years back...
  5. Hmmm never seen this one before but I knew about their other amp. One crappy internal pic but clearly the cascoded CCS... two output tubes... maybe a T1 clone?
  6. Yup, it is still here. I took one for the team as the T8000 is not popular at all.
  7. IF you use a deputy service then there are fees on top of that.
  8. I can also sell you a T-8000 if you'd like it...
  9. Funny but they are using the boards which don't really work. It was the first draft I did off the multi amp and way too many issues with that one. I also love the small shit that just cracks me up, see the XLR/RCA switch...how they extended the solder terminals to make it a PCB switch? Also the XLR sockets aren't pcb mount but who cares, just bridge it all with solder... My biggest issue would be the unshielded transformer but for this price...sheesh.
  10. Nope, those are his pics. It's a fake listing...
  11. I got mine from Trendsetter so I don't know what is going on...
  12. You could always swap for the Fairchild fets even if they aren't as good or just the new LSK/LSJ versions. Speaking of the F5, did anything come of the electrostatic version somebody was working on?
  13. Hmmm not sure why anyone would cram an opamp in the F5... You could use the SSM2212/2220 combo.
  14. No, that's an opamp.
  15. Digital, high res, DSD with quantum particles and string theory added for better plankton retrieval.
  16. I very much prefer a layered and deep soundstage over a bloated one. I also wouldn't call the Stax sets the colored ones as well...I could hear the big far imprint of the amp all over. Mosfets sound like shit basically...think Cavalli and you know what I mean.
  17. LSK489/LSJ689 work great. I've also used the MAT02/MAT03.
  18. It isn't but one can make silly expensive adapters.
  19. I love the upgrades...this sure as hell is not meant for normal users.
  20. I recognize that view...
  21. It was my pleasure. I did have a lot of fun with it and would want nothing more than to get just the headphones to play with.
  22. A lot of the tracks you will never have heard of as they are Icelandic and I got close to the studio masters. There was some common stuff in there too, Steely Dan, Tom Petty etc. just because of their recent passing and they match certain aspects I want to test for. I don't go for the typical audiophile stuff though, can't stand most of it really as any system should be able to reproduce both the well recorded stuff and the awful as well. When you go to an audio show, you can often spot when they are trying to hide certain issues with the systems by what music is playing. The Sennheiser guys also had some tracks one electronic track made the HE90 crap out. They were way too high in volume and the sheer amount of bass made them loose charge.
  23. 5 contacts will allow for single ended use as well if the amp can handle it.
  24. They didn't have a lot of time to compare as damn customers were annoying them. They did spend some time with it and did manage to overload the HE90...they needed a time out after that. I seriously need to modify those drivers.
  25. Time for some impressions of this rare beast. The Icelandic distributor has a set on loan and they carved an entire afternoon out of the schedule for me to try it and do some comparisons. I showed up with the HE90 I built from spare parts, Aristaeus, Carbon amp and a port modded SR-007Mk2. Since they were using the built in dac on the HE-1, I just plugged both amps into as well to equalize the comparison. Over all, I like the build quality of the headphones. Imagine a HD800 built properly and you are pretty much there. The leather earpads are super nice and the headband has nice extension to even fit my large melon. I don't think they are super comfy though as they are fucking heavy (550gr) and all of the pressure is on the top of the head. The Stax 4070 is just about as heavy but far more comfy due to the suspended headband design. The earcups get a bit warm due to the internal amps but only about 5-7°C above ambient. The cable is also pretty nice and not microphonic at all but more on the amps etc. later. Amp itself...well it is just fucked up. I get that they were trying to cater to some nouveau-riche people who just want something expensive but the wank factor is off the charts. I also have serious doubts about what's hiding in that nice marble shell... As for the headphones them selves... well the drivers look pretty much identical to the HE90 units and the few pictures of them that exist, point to that. I wanted to rip off the earpads to check further but people get antsy with something this expensive... One worrying thing I noticed though is that both sides of the drivers have porous dust covers. They look identical to the woven nylon found on the HE90 and well...I would expect solid covers. Now for some actual impressions. As I said above the HE-1 dac was the source for all the amps. To that you have to turn off the headphones so no direct comparisons were possible but I know how both systems should sound so not a big problem there. The source feeding the HE-1 was a Macbook Pro running itunes but I bypassed that with my own FLAC files and player. There are some major changes compared to the older system, this one can do bass and isn't as horribly colored either but over all...I was not impressed and the system never made me really interested in the music. It doesn't engage like a good 007 system can, where I sometimes just sit in awe even after owning a set for all these years. Here, it just doesn't pull me in. This is clearly a midrange issue as there just isn't enough presence there. First off the major issues are the bass, treble and the soundstage. Let's start with the bass, it has this annoying hump to it sort of like the old Lambdas. I'm not sure if this is the mosfet driver (could be, the Cavalli crap boxes have similar issues) or the headphones but it is a clear coloration and once you notice it, just annoys the fuck out of me. Now on some tracks it wasn't as noticeable but always lurking in the background none the less. Next up is the treble...which is both subdued and bright at the same time. I know plenty of people complain the 007's lack sparkle and with the Mk1 this was mostly true but they could be bright if the source called for it. The HE-1 manages something different, the treble is just flat and boring but then it suddenly bites hard. Now I was listening at higher levels but still nothing super loud, only about 12 o'clock on the dial. This also wasn't like the upper midrange bite of the 009's, more lower treble fizz but the source material didn't call for this. I'm so used to listening to SR-X Mk3 Pro drivers now (which are pretty much the gold standard for treble) as they are in my DIY headphones and nope, nothing like this. I suspect the amp is a huge influence here too but no way to verify that... Last major issue, the soundstage. Many will know my stance on the old HE90 where it sounds like you are listening to some people playing in dense fog and you can't quite make out where they are. This time around it is much improved but the lack of pin point accuracy is still apparent. The soundstage is also a bit too far away for my liking and it just doesn't throw the same huge headspace the 007's can. This also affects the midrange and the whole "disconnected" feeling I got from the whole system. I once reached for my phone as I was just a bit bored listening to it. Over all I like that Sennheiser built this but they really should have spent more time on the electronics. I don't think there are any improvements to moving the amps to the cups over something like the Carbon where I can burn 50+W as heat and overcome the small capacitance in the cable. Next post will discuss the tech specs of the system but I'll end with another picture of it all... It was really dark in there and I suck at taking pictures... Now for some technical discussion. I found the specs in the back of the manual and it turns out the bias is 650VDC and the amps run at +780VDC. This makes this more than compatible with Stax so I see no issue with removing the internal amps and rewiring one of these for Stax use. I have been asked to that before but I'm really hesitant to mess with something this expensive. That said, moving to proper amps which are not just the HEV70 rehashed can only be an improvement. I've never found any mosfet device with sufficiently low Cob to work in this role so I truly don't get what Senn were thinking. Some other info, the entire amp only consumes 40W per the user manual which doesn't leave a lot for the actual amps. So we have 8 tubes running with heaters plus all the motors in there. HV supply for the tubes, another for the output stage and well...not a whole lot of power to spare here. Compare that to the BHSE, Carbon or even the T2. All of them use far more power and it is just for one goal, to power the headphones. I also played around with the amp and I could swear that the volume control feels like a RK27. No way to know but how it felt when moving to the extremes...it was just like a RK27. Now as a proper volume control aficionado... ... they all feel a bit different. TKD feels nothing like a P+G or a RK50... Until somebody opens one of these up, take it how you will. It is also clearly a volume pot and not a chip or some other setup.
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