It was a great, beautiful and good sounding product with two problems.
First, the laser machined, triple silk screen printed, and highly innovative (and expensive!) perspex front panel was fixed to the metalwork with double sided tape, and there was no datums to assist, nor any jigs. So it was applied by eye, and needed to be in the correct place and square to better than half a millimeter. There was a massive wastage - until we got a jig designed and made.
Second, I discovered that the Lynx designer (and company founder) was dyslexic, so on the (hand drawn) engineering plans instead, for example, of 124.5mm it was marked up at 125.4mm. So there were tantalizing minor fit problems all over the place. In fact, the first time they went bust in New Zealand was because the blind tapped holes in the heatsink for the power transistors were not deep enough for the screw length (so the screws bottomed, and the transistors were not in contact with the sink), so every last product blew up when it got used - I strongly suspect that was also a dyslexic issue - sort of "drill and tap 3.5mm depth" when it should have been 5.3mm.
Like many audio products it died not because of lack of passion, hard work and innovation, it died because of minor and avoidable technical issues. And after being acquired by Wharfedale, it died as a result of the near death experience of Wharfedale in the early 90's consumer recession.