swt61

No I haven't Miguel. The Marantz gave up the ghost some time back, but with the Adcom the Marantz didn't hold a candle to the β22 IMO.

Remember I'm electronically impaired. Do the Salas shunt regulators work in addition to the Placids, or do they take the place of the placid PS? MASantos, are the new Trident regulators an addition to the Placids or the Ivy III? Sorry if my questions are sophomoric, but I'm just starting to understand just a little bit of this stuff.

It'll change a little once turned,

Naaman can you tell us how much we can expect from a Lil' Prick? Compared to what a full size Prick might offer is what I'm asking. I'm just wondering if the Lil' Prick will satisfy my needs, or should I just go straight for the full size Prick? I'm hoping to achieve that fullness that some smaller units just can't provide, but I don't want to disregard the Lil' Prick altogether, because I've learned that sometimes big things can come in small packages. I feel as though I could handle the full size Prick, but if I could get say 75% of the performance from the Lil' Prick, then that might be the best choice. Also how long before the Lil' Prick is ready to use? Can I use it immediately, or does it perform better after a brief warm up? Can I stay plugged into the Lil' Prick all day, or should I disengage between sessions?

I spent most of yesterday evening comparing the Buffalo II to my Adcom GDA-700. While the Buffalo did outperform the Adcom in just about every aspect, it certainly did not embarrass it. I think I paid in the $150.00 range for the Adcom a couple of years ago, and that was, and still is a bargain price. Whenever I get a new piece of equipment that outperforms the exiting piece, I almost feel like I get new headphones in the bargain, because they simply rise to the new level of gear. One day I'd like to see just how far these K1Ks will scale. Detail, prat and soundstage improved via the Buffalo, and I think I hear tighter bass notes. I'm always careful about what I really hear vs, placebo until I have some time in though. It definitely is a bit more forward where the Adcom is a little more layed back. A good match to the very neutral β22. I'm waiting to get more familiar with this DAC before comparing the β22 to the F5. In fact I have not listened to the F5 via the Buffalo yet. OK, everybody come over and listen!

Sorry crappy, I know of no such method. That's a bummer!

Will you be buying that with the upgraded Smegma PS?

I happen to prefer 314.7kpbs, but that's just me.

Good idea at any rate. Too bad it decided to die before, but I'm sure they'll fix her good as new. I had considered getting one of these until Marc got the Pass F5 up and running. Keep us posted on the process Mike.

It's a little like the angel on top of the tree. And don't call me Shirley. This one really doesn't need any wood, but that said, were I to not be able to stop myself at some future point in time, Gabon Ebony side panels would not look like crap.

Feel better soon Bryan.

Well OK this one may be tamed, but it is indeed beautiful to behold. Naaman's casework (and all around attention to detail) sets him apart, along with a handful of amazing builders we have in our group. But this one in particular really hit a chord with me. Simple but eye catching at the same time. I've had my sights set on this DAC for some time now, as it seemed a natural progression from the Epic Opus ( Opus DAC w/Zapfilter output stage) I had from the Twisted Pear line. And this DAC had a surprise for me. Naaman built in a Mini³ amp into the case, so that it could be used as a stand alone system if wanted. That would be nice for desktop use, meets and for me a reason to pick up those new Philips Fidelio L1s. Not much to say about the sound yet, as I've only just begun to listen, but first impressions do not disappoint. I really like my Adcom GDA-700, but this is a superior DAC from first initial listen. Detail and soundstage jump out as noticeable improvements immediately. I absolutely love the background Blue LED lighting, with the laser etched plexi. Nice touch Naaman! I also love the volumite handling volume control at chip level. This and the fact that all outputs can be used simultainiously (RCA, XLR and Headphone) make it easy to do a head to head β22 vs. PASS F5 shootout. More impressions to follow at some point, but now I'm going to immerse myself in the beautiful, beautiful music. Note that the blotches of the Blue in the 3rd pic is an anomaly of the camera. And it's hard to tell from the pics, but the faceplate is about 3/8" thick, with about 1/4" of faceplate depth around the cutouts.

http://www.talonix.com/shop/item.aspx?itemid=8920

Have a terrific day!

Even as a cute little kid, there's a hint of an evil glint in your eye that says..."someday, someday".

Hey Naaman, This one is tempting! http://www.ebay.com/itm/YAQIN-EL84-6P14-Class-Valve-Tube-Integrated-Amplifier-/250985641696?pt=LH_DefaultDomain_0&hash=item3a6fe8f6e0#ht_2364wt_1139

I hate to be the one to inform you that she's not part of the package...

I never cared for Wilson or Focal top end. And they ain't cheap.

Wait until you see his latest build! Pics to follow tomorrow.

Happy Birthday, Jeff!

Not a surprise really, due to the density and hardness. Oil would work as a coolant. It's not like it'll darken the Ebony too much. I'd love to see the Bocote knob when turned!

It's possible that the 110 ohms was chosen due to the jack. Either way I'm glad there seems to be some science behind my perceived improvement over RCA.

This!

I also find that rubbing the knob relieves stress. I bet I could relieve even more if I could get someone else to...but I digress. That really is a beautiful piece of work, and will make a fantastic addition to a fantastic amp! Hmmm, Gabon Ebony side pieces for the T-2?