robm321

You pointed out the real issue with all tablets and probably fold phones. Navigating/typing on it is awkward, and if you get a keyboard case, you basically have a watered down laptop.

What a cutie

Horowitz playing Mozart is a good thing. CD CD

Now make it really scary with elizabeth holmes.

Also, Physical CD

I listened to this when it came out. I'm surprised it took me this long to revisit. I pretty much like everything he does, and this is no exception. Occasionally, he just writes a simple 3 chord, basic as it gets song, but it sounds so much more fresh and interesting than you'd expect. Ex.

Did Adele dye her hair?

The video of it being used was the best part.

Those silly 18th century Koreans ruminating on what they feared most could come across as repetitive in 2026. I think these fine K-pop folks are just keeping to the grossly outdated lyrical tradition of pansori and trying to make it fresh with modern K-pop grooves. The good news is, I think they've succeeded. This song was played every time the South Koreans scored a goal in the world cup, and the original video has over 20 million views. I love learning about other cultures through music but didn't expect it to come from K-pop. Claude says: In 18th century Korea, tigers were a real and common danger, not just folklore. Korea back then had a notably dense tiger population, enough that the Joseon government kept dedicated tiger-hunter units, called chakhogapsa or similar, specifically to deal with maulings and livestock attacks in rural areas. Tiger attacks on people and livestock were frequent enough that they shaped a lot of Korean culture and superstition from that era, which is actually where that Leenalchi song "Tiger Is Coming" draws from, it's adapting a traditional pansori story rooted in that same fear and reverence.

Agreed 👍

LEENALCHI - SUGUNGGA LEENALCHI on Qobuz https://open.qobuz.com/album/u0icfdl0p72e3 Someone always explains my thoughts better than I can. So, ill just say, I can no longer say I hate K-Pop. I like one K-pop album and it's this one. I'll let some dude at Qobuz take it from here: SUGUNGGA sounds like a genre argument settled by force. Leenalchi's four pansori vocalists--Ahn Yi Ho, Choi Su In, Park Soo Bum, and Ra Seo Jin-deliver the album's 18th century turtle-and-rabbit narrative in the tradition's characteristic guttural, almost strained vocal style, full of sudden pitch shifts and rhythmic hiccups that are clearly deliberate technique... ...Leenalchi's willingness to let centuries-old vocaltechnique carry just as much rhythmic weight as the bass and drums rather than floating decoratively above them is an approach that could easily flatten into a gimmick over a full album, but SUGUNGGA keeps the groove genuinely propulsive rather than merely novel, letting the tradition and the funk each pull their own weight. Ex.

I'm going to secretly buy 8 track tapes. I see a pattern.

We saw this guy last night in Grass Valley. I've been listen to him since high school, so it was nice to finally see him live.