blessingx

For those unhappy with their new iPhone 6s BlackBerry is offering a "trade up" program. https://tradeup.blackberry.com/en/us/rmw/passport.html

Iron Horse does Rocketman And of course that other version...

^ Thanks. Dark Knight Trilogy - BR $28/DVD $14 http://www.amazon.com/gp/product/B00DUCXFUC/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00DUCXFUC&linkCode=as2&tag=onepersho-20&linkId=I6ZFJQ46JVTQLTOB

Catching up with three hours of Serial.

Lume Cube mobile lighting http://youtu.be/_d_pXEE6mec https://www.kickstarter.com/projects/1193685734/lume-cube-flash-and-video-light-for-gopro-iphone-a

Continuing down the rabbit hole. American Experience's Annie: It's a Hard Knock Life, From Script to Stage on the PBS app (also on site). http://youtu.be/35z_vMFOfAk

A burger, which begs the question - Brent, ever been to Black Bear Diner?

Like they did with iTunes, iPods and iPhones.

Ensemble 96 - Kind [2L DSD]

Speaking off (though possibly a filter)... https://www.nativedsd.com

Technics entering the 24-bit store market. http://www.engadget.com/2014/11/20/technics-tracks-high-resolution-music-store/?ncid=rss_truncated

Gets better with every listen...

Nichols - In a movie you do have control of it, but the thing that you don't ever control after you choose [a film] is the central metaphor that is the movie. It seems to me that, to a greater extent than a play, a movie's artistic success, success as an experience, depends on the power of the metaphor that is the central engine of the movie. If you have a powerful metaphor, if the audience knows why they're there, you can soar very high. If you don't have that metaphor, no amount of cleverness with the camera or talent on the part of the actors can lift it, because the engine that is the metaphor is everything. I believe that now as much as I did when I began. Is that central metaphor something that you can impose, or is it inherent in the material? It's in the story—it's as simple as that. The story either contains it or it doesn't. In between there are gradations. There are stories that seem to convey them but can't stand the pressure of the process or confrontation by the audience, and certain metaphors crack under that pressure. I said to [Anthony] Minghella, when I'd seen The English Patient, that I'd never seen a New York audience so still, so absolutely silent, during a movie. It was a very strong experience to be in that audience. And he said, "Yes, well—they sense purpose." That's a wonderful thing to say. http://www.filmcomment.com/article/of-metaphors-and-purpose-mike-nichols-interview?src=longreads

I may do the same with his Catch-22, which I've never seen, though it's probably time for another The Graduate viewing too. "Directing is like making love. You never know if you're doing it right or as well as the other guy." - Mike Nichols

Oh man. Mike Nichols RIP. One of the greats. http://youtu.be/09NSBMgUwkg

Am I missing what's so bad in that article?

Had pizza last night. Tasted horrible, but I admired their architecture.

Phone recharging belt - https://www.indiegogo.com/projects/xoo-belt-by-nifty-a-phone-charging-belt http://youtu.be/a1Wk9WdT7QE

A short NYTimes RetroReport on the 'Dingo Ate My Baby' case - http://t.co/9vKwhLFE1I

Oldie, but pizzie http://youtu.be/wusGIl3v044

Guardians of the Galaxy Awesome Mix MP3 Album free [Google Play] http://dealmac.com/iphone/deals/1197434.html