nikongod

happy birthday!

happy birthday!

happy birthday

I think from previous descriptions that this PS is more of a simple shunt regulator without any SS followers. Perhaps something was lost in translation, but time will tell as this box gets cracked. something like this: The thing could totally run a WCF depending how the resistor is sized, but I have read that getting a tube-based shunt regulator to "light" can be quite the trick, and I cant imagine it being any easier considering that different combinations of audio tubes will draw different amounts of current in the amp. The first time I read about the photo-flash trick, I thought that someone had wired the electronics from a photo-flash (or something like it) into the PS to bitch-slap the tubes into operation. LOL

The pinouts are different. The ECC-1 adapter is for 12a?7 tubes. 6cg7 had its own adapter.

Im going on previous statements.

The 12ax7 to 6sl7 and 12au7 to 6sn7 adapters are likely the same. Return some if you can. If you have a multimeter, verify that none of the connections have resistors (they probably dont) and then your set. Nope, not an exact swap. 12AT7 may be a close enough approximation to the 6sl7. Bonus round, it uses the same adapter as the others above. OTOH, the ZD uses a bunch of global feedback, the funky capacatances of the adapter may interfere and cause "funk." Its a mater of riding on tolerances. Some combinations are downright weird and stressful with how they run the tubes. Others are simply making use of the same tube in a different bottle, or with different pins. some other options use big ass power tubes loafing along under very low loads. ECC-1 wired straight through. 5687: has some extra resistance on the cathode of 1 section so they dont draw tooooo much current in the output stage. I dont know if there are "speshul" 5687 adapters for the ES-1 with resistors on BOTH cathodes or no resistors. Im also not aware of anyone but mikhail building this adapter. Others: no idea you can tell in about 2 min with a multimeter and pin-out diagrams though.

this SUCKS. I hope you can find someone locally to work on this amp.

happy birthday dave!

i dont go to the slow forum.

Gizmodo - Beautiful Women and Headphones: Oil Paintings by Jonathan Viner (NSFW) - Jonathan viner NOTE! link may be NSFW!

lolerskates and got a link?

Gott ist taub - Nietzsche

I thought it was a bad idea because the rest of the pre has gone to such great lengths to use no SS parts anywhere. Tube rectifier, pentode voltage regulator,, the whole thing is grid biased (even the phono-stage). The only silicon is in the heater & biassing supply. For sure the CCS would improve PSRR/SNR, linearity, and bump the gain, but I think its cool having an amp with no SS parts anywhere. I guess my opinion is more philosophical than scientific.

I have heard an older Gilmore G22/22 next to a FET-A at a mini-meet at davederek's (head-fi handle) house and someone else whose name I forgot. For point of reference, the source for the dynamics was the Musical Fidelity A5 which has never let me down at mini-meets at Dave's house. The overall sound of wire with gain was running full tilt with the Gilmore, dunno what else to say about it that hasn

It also decreases the inductance of the wire. Speaker guys do it because the little bit of "accidental" inductance from the cables screws with their crossovers.

I took a moment to listen to this amp and chat with Donald North at the national meet. The amp was quite nice. I didnt listen nearly as long as I would have liked, but it did quite well for detial and tonal balance with DT-880/250. The IEC output takes the DT-880 to a new level, and makes them a very strong point for price VS performance. Chatting with DN was great, and I listened to a CD that I would not have otherwise thought to get. I didnt press him for the specs of his transformers, but still hold my previously stated guesses. We chatted about amps in general and he certainly knows his stuff!

The amp is 3/4 built. Thanks for the help on the paints guys! The case is holding up well despite my best efforts to knock it about while I P2P the beast. The output caps scratched INSTANTLY while being mounted. Hopefully the last 2 parts arrive tomorrow or wednesday so I can finish this thing up. McMaster Carr has never failed me before. All of the paints I used said good for 200*f. Should be adequate for a tube amp case (I hope)

have a great birthday!

Not to fear: Dremel tool used extensively I actually managed to cut a hole for the IEC that dosnt look like cookie-monster went to town on my case, I consider this an accomplishment. The second coat went on with just enough time to set before it started to rain. The amp looks OK, although not exactly as "hammered" as I would have liked. Such is life.

Hello Board Im working on a shitty little amp that assuming the stars and plannets are in alignment will be at canjam. at the moment, not 1 part has been soldered but the casework is done and being painted.... Now that I have cursed my project by admitting that it exists: The case (a cheap "BUD box") that I am painting with hammer-tone paint, because it will (hopefully) mask some of my horrific screwups with the drill and could not ever look even close to as bad as a naked BUD box. I painted one corner of the top a little thicker than the rest, should I worry? Im going back for coat #2 in about 45 min... Thanks Ari

happy birthday !

hey Chris! Have a great Birthday

bought before the lock

60dB if your lucky, channel matching is totally conditional on how well the parts are hand-matched. LDR's sound great, but they are fiddly as hell and probably require better system matching than most people will do. Melos used hand-selected parts for their success. The photentiometer used a full-on automotive dome-light bulb for light source: it could be replaced with an LED sure, but it would still be drawing tons of current to get a high attenuation.